3 was given its world premiere by the CSO in 1921, three years after the end of the First World War. Beyond all this, however, Mantovani’s work came together as a stunning 17 minutes in which diverse musical materials were drawn into an appropriately monumental whole, seemingly “frozen in time” despite its immense energy and virtuosity. Steel-lipped trumpet playing from the entire section, headed by guest principal Mark Hughes of the Houston Symphony and a final climax in which the CSO’s famously “big-shouldered” low brass sound shone to impressive prominence.Īlsop held her players under a spellbinding degree of rhythmic control and precision while still allowing the expressive and sometimes playful nature of each individual musical gesture to come through. “Threnos” showcases these influences to great effect, opening with a strikingly extended section of shimmering percussion (which remains a constant presence throughout the work) before the remainder of the orchestra enters with Ligeti-esque tone clusters, interspersed with languidly Impressionist woodwind solos and virtuosic rapid-fire brass interludes.Īssociate concertmaster Stephanie Jeong, in ‘Threnos,” offered a flawlessly executed solo of control and pathos.Ī true showpiece for the entire orchestra, “Threnos” offered particular highlights including associate concertmaster Stephanie Jeong’s flawlessly executed violin solo balancing technical mastery and control with pathos. In the program note to his new work “Threnos,” the composer claims a synthesis of diverse styles and compositional approaches to be the driving force behind his work, citing the influences of Ravel and the broad field of jazz. Mantovani is director of the Paris Conservatory and regularly conducts the Ensemble Intercontemporain, founded by Pierre Boulez.
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19 at Orchestra Hall proved a fitting and thought-provoking tribute, featuring works by American, Russian, and British musicians written in response to the First and Second World Wars and their aftermath, plus a major world premiere from the French composer Bruno Mantovani, commissioned by the CSO and Jennifer Pritzker, founder of Chicago’s Pritzker Military Museum & Library. Conductor Marin Alsop’s program with the Chicago Symphony Orchestra on Oct. Years, anniversaries, and commemorations arguably form the backbone of contemporary classical concert programming, and this year’s centenary of the end of the First World War is exemplary. (Concert photos by Todd Rosenberg) Review: Chicago Symphony Orchestra conducted by Marin Alsop, on Oct. Lectra Romanscad Ver 9.‘Stunning 17 minutes’: Composer Bruno Mantovani and conductor Marin Alsop at the world premiere of ‘Threnos’ with the Chicago Symphony Orchestra. Lectra Romanscad Ver 8.9 (2D-3D-CUT-SL-SOLE) Lectra Romanscad Ver 8.0 (2D-3D-CUT-SL-SOLE) Lectra Romanscad Ver 7.0 (2D-3D-CUT-SL-SOLE) Lectra Romanscad Ver 6.0 (2D-3D-CUT-SL-SOLE)
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